{"id":841,"date":"2017-02-19T00:23:01","date_gmt":"2017-02-18T17:23:01","guid":{"rendered":"http:\/\/test.vimi.co\/pgvim\/music-for-society\/?lang=th"},"modified":"2026-10-31T09:01:58","modified_gmt":"2026-10-31T09:01:58","slug":"media-2","status":"publish","type":"page","link":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/media-2\/","title":{"rendered":"Media"},"content":{"rendered":"\n<div class=\"wp-block-cover alignwide is-light has-custom-content-position is-position-top-center has-medium-font-size\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-accent-6-background-color has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container has-global-padding is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 class=\"wp-block-heading\">WHAT IS UNIQUE ?<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"MM @ PGVIM - WHAT IS UNIQUE ?\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/JvGy5SuhoLQ?start=174&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-cover alignwide is-light\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\">STUDENT PROJECTS<\/h2>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading\">Developing Self-Awareness through Listening and Improvisatory Interpretation Introduction<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">A Holistic guide to Self balance: Developing Self-Awareness through Listening and Improvisatory Interpretation By Yanini Pongpakatien<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Developing Self-Awareness through Listening and Improvisatory  Interpretation Introduction\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/RzndOvyiun8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading\">Grandmas&#8217; Graces Vol.I &#8211; Nat Kosilp<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">This project explores my personal Sino-Thai family history through the lens of my grandmothers&#8217; journeys. By creating a biographical sonic portfolio, I investigate the process of cross-generational evolution, focusing on the interplay of psychological and cultural adaptation. This work seeks to interpret their experiences, highlighting the transformative impact of migration, resilience, and identity across generations.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Grandmas&amp;apos; Graces Vol.I - Nat Kosilp\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CmMYLLBHeSA?start=3&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"wp-block-heading\">Magic Tricks and Other Spiele (2023)<\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><em>08 APR 2023, Bangkok Art and Culture Center<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Chamber Ensemble with quadraphonic sound system multimedia concert by Dhorn Taksinwarajan.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"MAGIC TRICKS AND OTHER SPIELE\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/H0nm-UK7tyQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n<p>[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h3 style=\"text-align: left;\">What is New ? What is Authentic ? What is Classic ?<\/h3>\n<p style=\"text-align: left;\"><strong><span class=\"_1fHNK\">The Conference Of The Birds, live performance at PGVIM, Bangkok. 10.9.15:<\/span><\/strong><\/p>\n<p style=\"text-align: left;\">Combining acoustic and electronic music, visuals and rituals, notations and improvisations, this eclectic evening of sound making will feature contributions by Dieter Mack and the PGVIM students, Peter Edwards &amp; Max Riefer as the duet Zero Crossing, Kim Ngoc Tran, Anant Narkkong, Damrih Banawitayakit, Supreeti Ansvananda, Saowakhon Muangkruan, Watchara Pluemyart. Watchara Pluemyart and jean- David Caillou\u00ebt.<\/p>\n<p style=\"text-align: left;\">This event was curated by Jean-David Caillouet, Anothai Nitibhon and Dieter Mack<\/p>\n<p>[\/vc_column_text][vc_video link=&#8221;https:\/\/vimeo.com\/171912296&#8243;][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<div style=\"text-align: center;\">\n<h3 style=\"text-align: left;\">&#8216;Transcending differences&#8217;<\/h3>\n<p style=\"text-align: left;\"><strong>PGVIM International Symposium 2016<\/strong><\/p>\n<\/div>\n<div style=\"text-align: left;\">&nbsp;<\/div>\n<p>[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=ldITqiVq_Qs&#8221;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=1AU4H1eqPRQ&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h3>&#8216;Connecting Our Voices&#8217;<\/h3>\n<p><strong>PGVIM International Symposium 2016<\/strong><\/p>\n<p>Dieter Mack- &#8216;John Cage prepared Piano III + Ne Myo Aung Improvisation[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=zuIc-lzJpaI&#8221;][\/vc_column][\/vc_row]<\/p>\n\n\n<p>[vc_row el_class=&#8221;home-row1&#8243; css=&#8221;.vc_custom_1549984185058{border-radius: 5px !important;}&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<h3>\u201cWhat If There&#8217;s Nothing You Can Do? \u201c TCDC BANGKOK &#8211; 23.4.22<\/h3>\n<p>The composer and computer music wizard Scott Wilson is joined by by the multi instrumentalist Anant Narkkong, the flutist Phataporn Preechanon and the double bassist Patchara Manoonphol, investigating improvisatory modes of communication between acoustically produced sounds and multi-channel electro acoustic processes. The resulting piece \u201cWhat If There&#8217;s Nothing You Can Do? \u201c used a single accordion sample as the basis for live coded (programmed in real-time) improvisation, as a collaboration between a programmer and live musicians. This performance closed a week long series of public concerts at TCDC in Bangkok, showcasing the excellent work by Master students at PGVIM, it is also the continuation of a very fruitful collaboration between PGVIM and Birmingham University,[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=yiGdDrRQQ1s&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<div style=\"text-align: center;\">\n<h3 style=\"text-align: left;\">&#8216;PGVIM Master Degree 2020&#8217;<\/h3>\n<\/div>\n<p>[\/vc_column_text][vc_video link=&#8221;https:\/\/youtu.be\/Hmq9KUffu5Y&#8221;][vc_video link=&#8221;https:\/\/youtu.be\/wJE7AcSRyGY&#8221;][vc_video link=&#8221;https:\/\/youtu.be\/bL7wpsqweNc&#8221;][vc_column_text]<\/p>\n<h3 class=\"title style-scope ytd-video-primary-info-renderer\" style=\"text-align: left;\">Beethoven Piano Sonata Op. 57, &#8220;Appassionata&#8221; Live Performance<\/h3>\n<p>Dr. Elissa Miller-Kay performs Beethoven&#8217;s &#8220;Appassionata&#8221; Op. 57 at the Princess Galyani Vadhana Institute of Music on May 17, 2017.[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=Oy4kJywfeF4&amp;t=9s&#8221;][vc_column_text]<\/p>\n<h3>Schumann Kinderszenen Op. 15<\/h3>\n<p>Dr. Elissa Miller-Kay&#8217;s performance of Schumann&#8217;s Kinderszenen Op. 15 at the Princess Galyani Vadhana Institute of Music (PGVIM) in Bangkok, Thailand on April 4, 2018.[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=fOIWcUyJ98A&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-cover alignwide\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<h2 class=\"wp-block-heading\">PGVIS-INTERNATIONAL SYMPOSIUM<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">&#8216;Transcending differences&#8217; PGVIM International Symposium 2016<\/h4>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"TRANSCENDING DIFFERENCES: RADIO SONATA PART III ( JD CAILLOUET )\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ldITqiVq_Qs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Transcending Differences-PGVIM, Bangkok. 8.9.16\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1AU4H1eqPRQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Connecting Our Voices: Dieter Mack- &#8216;John Cage prepared Piano III &amp; V&#8217;+ NeMyo Aung Improvisation<\/h4>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Connecting Our Voices: Dieter Mack- &amp;apos;John Cage prepared Piano III &amp; V&amp;apos;+  NeMyo Aung Improvisation\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zuIc-lzJpaI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-841","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/pages\/841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/comments?post=841"}],"version-history":[{"count":4,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/pages\/841\/revisions"}],"predecessor-version":[{"id":3525,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/pages\/841\/revisions\/3525"}],"wp:attachment":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/media?parent=841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}