{"id":508,"date":"2017-02-17T15:30:18","date_gmt":"2017-02-17T08:30:18","guid":{"rendered":"http:\/\/test.vimi.co\/pgvim\/?p=508"},"modified":"2017-02-17T15:30:18","modified_gmt":"2017-02-17T08:30:18","slug":"symposium-performance","status":"publish","type":"post","link":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/2017\/02\/17\/symposium-performance\/","title":{"rendered":"Symposium Performance"},"content":{"rendered":"

\u201cTranscending Differences\u201d<\/h3>\n

Thursday 8th of September 2016 6pm.<\/p>\n\n\n
\u0e41\u0e21\u0e27\u0e19\u0e49\u0e2d\u0e22 (\u0e2d\u0e2d\u0e22)<\/th>\nLittle Cat<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n\n\n\n
\u0e09\u0e31\u0e19\u0e17\u0e33\u0e44\u0e21\u0e40\u0e2b\u0e21\u0e37\u0e2d\u0e19\u0e40\u0e18\u0e2d<\/th>\nWhy do I look like you?<\/td>\n<\/tr>\n
\u0e40\u0e18\u0e2d\u0e17\u0e33\u0e44\u0e21\u0e40\u0e2b\u0e21\u0e37\u0e2d\u0e19\u0e09\u0e31\u0e19<\/th>\nWhy do you look like me?<\/td>\n<\/tr>\n
\u0e40\u0e23\u0e32\u0e2a\u0e2d\u0e07\u0e04\u0e19\u0e17\u0e33\u0e44\u0e21\u0e40\u0e2b\u0e21\u0e37\u0e2d\u0e19\u0e01\u0e31\u0e19<\/th>\nWhy do we look like each other?<\/td>\n<\/tr>\n
\u0e41\u0e25\u0e49\u0e27\u0e40\u0e23\u0e32\u0e08\u0e30\u0e17\u0e30\u0e40\u0e25\u0e32\u0e30\u0e01\u0e31\u0e19\u0e17\u0e33\u0e44\u0e21<\/th>\nThen, why do we fight each other?<\/td>\n<\/tr>\n<\/table>\n

Kunkanit Liemnam, 12 years old<\/p>\n

The second performance evening of this Symposium will carry on our investigation of music as a bridge facilitating cultural and social integrations. If the first evening proposed juxtapositions of a variety of musical idioms in their original traditional form, this second offering will look at musical practices that aim at venturing outside the established paths. Looking at differences and assumed incompatibilities as opportunities to open up new windows for creativity rather than building walls. <\/p>\n

The evening will use Debussy\u2019s \u2018Sonate for Harp, Viola and flute\u2019 as a starting point. The piece, written by Debussy near the end of his life at the beginning of WW1, explores the musical potential of this unusual trio combination in a very unique way as if the composer found some sort of solace through the resolution of conflicting sonorities in music at a time of unresolvable international political divide. A century later, we seem to have come full circle again as we witness the rise of nationalist resentments in many parts of the world.
\nMusic is more than ever needed to transcend the differences that divide people. <\/p>\n

Tuning into the past and the present, the evening\u2019s performances will investigate the interferences and differences that form our illusionary musical boundaries and often settle in the spaces between. Sweeping through the airwaves to discover some of the sonic possibilities still hiding behind our musical horizons.
\nThe program will feature music by Debussy, compositions by pioneers of twentieth century music as well as pieces and improvisations freshly designed during our Symposium\u2019s workshops interspersed with a touch of electronics and visual art.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cTranscending Differences\u201d Thursday 8th of September 2016 6pm. \u0e41\u0e21\u0e27\u0e19\u0e49\u0e2d\u0e22 (\u0e2d\u0e2d\u0e22) Little Cat \u0e09\u0e31\u0e19\u0e17\u0e33\u0e44\u0e21\u0e40\u0e2b\u0e21\u0e37\u0e2d\u0e19\u0e40\u0e18\u0e2d Why do I look like you? \u0e40\u0e18\u0e2d\u0e17\u0e33\u0e44\u0e21\u0e40\u0e2b\u0e21\u0e37\u0e2d\u0e19\u0e09\u0e31\u0e19 Why do you look like me? \u0e40\u0e23\u0e32\u0e2a\u0e2d\u0e07\u0e04\u0e19\u0e17\u0e33\u0e44\u0e21\u0e40\u0e2b\u0e21\u0e37\u0e2d\u0e19\u0e01\u0e31\u0e19 Why do we look like each other? \u0e41\u0e25\u0e49\u0e27\u0e40\u0e23\u0e32\u0e08\u0e30\u0e17\u0e30\u0e40\u0e25\u0e32\u0e30\u0e01\u0e31\u0e19\u0e17\u0e33\u0e44\u0e21 Then, why do we fight each other? Kunkanit Liemnam, 12 years old The second performance evening of this Symposium will […]<\/p>\n","protected":false},"author":2,"featured_media":509,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/posts\/508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/comments?post=508"}],"version-history":[{"count":0,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/posts\/508\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/media?parent=508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/categories?post=508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pgvim.ac.th\/postgrad\/index.php\/wp-json\/wp\/v2\/tags?post=508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}