{"id":2000,"date":"2025-02-21T08:28:28","date_gmt":"2025-02-21T01:28:28","guid":{"rendered":"https:\/\/www.pgvim.ac.th\/research\/delavie\/?page_id=2000"},"modified":"2025-05-06T13:48:59","modified_gmt":"2025-05-06T06:48:59","slug":"research","status":"publish","type":"page","link":"https:\/\/www.pgvim.ac.th\/research\/archive\/research\/","title":{"rendered":"Research"},"content":{"rendered":"\t\t
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PGVIM Research<\/span><\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The PGVIM research section is dedicated to promoting and supporting the creation of knowledge in music and its related fields. It stands as a hopeful initiative for the music community. Our main goal is to share valuable insights from research, creative projects, and artistic works produced at the Institute, allowing this knowledge to reach a wider audience. We believe this initiative has the potential to not only elevate academic standards but also foster creativity, ultimately revitalising the country\u2019s music scene and enhancing its competitiveness on an international level.<\/span><\/p>

\u00a0<\/p>

Additionally, we are committed to nurturing the potential of our research personnel and helping to build a robust, sustainable academic network. We also support innovative music performances, aiming to be a leading national educational institution and a hub for artistic experimentation. Our dedication to high standards in knowledge and innovation reflects our commitment to advancing music both nationally and internationally, ensuring the quality and integrity of our work. We hope this commitment will reassure our stakeholders and inspire their confidence in our initiatives.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

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\r\r\n\t\t\t\r\r\n\t\t\t\tResearch\r\r\n\t\t\t\r\r\n\t\t\t<\/h2>\r\r\n\t\t<\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\r\n\r\r\n\t\t
{\"cpt\":\"portfolio\",\"style\":\"1\",\"columns\":\"4\",\"show\":20,\"from_category\":[\"research\"],\"order\":\"DESC\",\"orderby\":\"date\"}<\/div>\r\n\r\r\n\t\t\t
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Mae Naam(\u0e41\u0e21\u0e48\u0e19\u0e49\u0e4d\u0e32) : River Her Stories<\/a><\/h3>\r\r\n\t\t<\/div>\r\r\n\t<\/div>\r\r\n<\/div><\/article>
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Recycling Music: Music for Horn and Recycled Material<\/a><\/h3>\r\r\n\t\t<\/div>\r\r\n\t<\/div>\r\r\n<\/div><\/article>
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Perspectives in Southeast Asian Contemporary Music 1950 \u2013 2017 \u2013 An Anthology. Part 1<\/a><\/h3>\r\r\n\t\t<\/div>\r\r\n\t<\/div>\r\r\n<\/div><\/article>
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Biedermeier Trio: Chamber music for violin, viola and guitar.<\/a><\/h3>\r\r\n\t\t<\/div>\r\r\n\t<\/div>\r\r\n<\/div><\/article>
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\u0e14\u0e19\u0e15\u0e23\u0e35\u0e19\u0e34\u0e17\u0e32\u0e19\u0e40\u0e25\u0e48\u0e32\u0e40\u0e23\u0e37\u0e48\u0e2d\u0e07 \u0e41\u0e25\u0e30\u0e1b\u0e23\u0e30\u0e2a\u0e1a\u0e01\u0e32\u0e23\u0e13\u0e4c\u0e40\u0e2a\u0e21\u0e37\u0e2d\u0e19\u0e08\u0e23\u0e34\u0e07 (Musical Tales and the Virtual Experiences)<\/a><\/h3>\r\r\n\t\t<\/div>\r\r\n\t<\/div>\r\r\n<\/div><\/article>
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\u0e28\u0e34\u0e25\u0e1b\u0e1a\u0e23\u0e23\u0e40\u0e25\u0e07\u0e40\u0e1e\u0e25\u0e07\u0e2a\u0e22\u0e32\u0e21 \u0e42\u0e14\u0e22\u0e27\u0e07\u0e2d\u0e34\u0e21\u0e21\u0e32\u0e19\u0e39\u0e40\u0e2d\u0e25\u0e2d\u0e2d\u0e23\u0e4c\u0e40\u0e04\u0e2a\u0e15\u0e23\u0e32\u0e43\u0e19\u0e0a\u0e38\u0e21\u0e0a\u0e19\u0e04\u0e25\u0e2d\u0e07\u0e40\u0e15\u0e22 (Silapabanlengs Siamese Melodies Performed by Immanual Orchestra in the Community of Klongtoey)<\/a><\/h3>\r\r\n\t\t<\/div>\r\r\n\t<\/div>\r\r\n<\/div><\/article>
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Research<\/a><\/div>\r\r\n\t\t\t

\u201c\u0e2a\u0e37\u0e48\u0e2d\u0e1c\u0e2a\u0e21\u0e24\u0e45\u0e29\u0e35\u0e14\u0e31\u0e14\u0e15\u0e19\u201d \u0e28\u0e34\u0e25\u0e1b\u0e30\u0e1a\u0e39\u0e23\u0e13\u0e32\u0e01\u0e32\u0e23\u0e01\u0e31\u0e1a\u0e01\u0e32\u0e23\u0e15\u0e35\u0e04\u0e27\u0e32\u0e21\u0e21\u0e23\u0e14\u0e01\u0e04\u0e27\u0e32\u0e21\u0e17\u0e23\u0e07\u0e08\u0e4d\u0e32\u0e02\u0e2d\u0e07\u0e42\u0e25\u0e01 \u0e1c\u0e48\u0e32\u0e19\u0e07\u0e32\u0e19\u0e1b\u0e23\u0e30\u0e1e\u0e31\u0e19\u0e18\u0e4c\u0e14\u0e19\u0e15\u0e23\u0e35 \u0e28\u0e34\u0e25\u0e1b\u0e30\u0e01\u0e32\u0e23\u0e41\u0e2a\u0e14\u0e07 \u0e41\u0e25\u0e30\u0e2a\u0e37\u0e48\u0e2d\u0e23\u0e48\u0e27\u0e21\u0e2a\u0e21\u0e31\u0e22 (Rusiedutton : New Interpretation Through Composition, Performance and New Media)<\/a><\/h3>\r\r\n\t\t<\/div>\r\r\n\t<\/div>\r\r\n<\/div><\/article>\r\n\r\r\n\t\t\t<\/div>\r\r\n\r\r\n\t\t\t\r\n\r\r\n\t\t\r\n\r\r\n\t\t\r\n\r\r\n\t\t\r\n\t\t\t<\/div>\r\r\n\t\t<\/div>\r\r\n\r\r\n\t\t\r\n\r\r\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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