On Sunday, 15 March 2026, the Princess Galyani Vadhana Institute of Music (PGVIM), under its Woodwind Encounters initiative (WE@PGVIM), collaborated with the Faculty of Architecture and the Faculty of Fine Arts, Chiang Mai University, to present a music and art event titled “Kad Siang Lom (Crafted Soundscape)”. The event was held under the concept “Wind, Clay, and Breath” at the Lanna Architecture Center, within the historic Khum Chao Burirat (Mahainta) in Chiang Mai.
The event was principally aimed at showcasing the charm and expressive depth of classical music—particularly woodwind performance—while expanding public access to musical aesthetics through an engaging and immersive cultural setting. By situating the performances in a public heritage space, the organizers sought to bring audiences into closer proximity with the artistic experience.
The atmosphere was warm and vibrant, attracting more than 200 attendees, including both local residents and tourists, who gathered to enjoy the evening performances. The choice of venue—a more than 130-year-old architectural landmark under the stewardship of Chiang Mai University’s Faculty of Architecture—further underscored the harmonious dialogue between Western classical music and Northern Thailand’s cultural heritage.
The Lanna Architecture Center, dedicated to the research, preservation, and dissemination of Lanna architectural knowledge, also hosted a concurrent exhibition. The space was thoughtfully divided into two sections: the ground floor, characterized by masonry construction, featured historical narratives of Khum Chao Burirat, rotating cultural exhibitions, and scale models of significant heritage sites within the old city. The upper floor, constructed from traditional teakwood, displayed Lanna artworks and antique artifacts that vividly reflect the refined lifestyle of Northern nobility in past eras.
Adding a lively dimension to the event, the Chiang Mai Tourism Business Association introduced its mascot, “Dao Nuea,” delighting attendees and enhancing the festive ambiance.
The musical program featured performances by faculty members and students of PGVIM, beginning with a series of chamber works that highlighted the versatility of woodwind ensembles. These included a Flute Duet performing Duet No. 1 in E Minor, a Saxophone Quartet presenting Premier quatuor pour saxophones, Op. 53, a Woodwind Trio performing Trio in C Major, Op. 87, and a Clarinet Quartet with Bassoon presenting 9 Tangoes for Clarinet Quartet.
The student segment culminated in a grand performance by the Woodwind Ensemble, conducted and featuring an excerpt from Jaran’s Symphony, specially arranged by Dr. Asit Ketjantra of Chiang Mai University’s Faculty of Fine Arts. The piece artfully integrated melodies by a distinguished Lanna composer into a classical ensemble setting, resulting in a refined and culturally resonant musical expression.
A special highlight from the institute’s faculty members featured beloved Thai songs—including O Chao, Ton Pho Khong Phra Racha, Kham Wan, and Malai—reimagined for a Trio of clarinet, cello, and piano. This was complemented by a selection of light classical repertoire such as Humoreske, Andante, Gavotte, and Minuet de L’Arlésienne, performed by a flute and piano duo, captivating the audience with their elegance and lyrical charm.
In reflecting on the success of the event, PGVIM extends its sincere appreciation to the Faculty of Architecture and Faculty of Fine Arts, Chiang Mai University; the Lanna Architecture Center at Khum Chao Burirat; and the Chiang Mai Tourism Business Association for their invaluable support in transforming this historic venue into a shared space of musical joy.
Beyond its immediate success, “Crafted Soundscape” served not only as a platform for students to refine their ensemble performance skills and gain real-world experience, but also as a reaffirmation of PGVIM’s mission as a leading music institution. The event exemplified the institute’s commitment to bringing musical knowledge and aesthetic appreciation into society, enriching the public spirit, and sustaining its enduring vision of “music for society” in a meaningful and lasting way.
