Author: Chaimongkol Wiriyasatjaporn

  • KALAYA PHONGSATHORN

    KALAYA PHONGSATHORN

    Flautist, Performer, Educator //

    THE PROMOTION OF THE PICCOLO-FLUTE IN THAILAND CLASSICAL MUSIC SCENE

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  • KAWIRAT SAIMEK

    KAWIRAT SAIMEK

    SOUNDING THE PLASTIC SEA: MUSICAL REFLECTIONS ON A GLOBAL ECOLOGICAL TRAGEDY
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  • Pongthep Jitduangprem, PhD

    Lecturer, Master of Music Program

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  • Suppabhorn Suwanpakdee, D.F.A.

    Assistant Professor, Master of Music Program

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  • Komsun Dilokkunanant, D.M.A

    Horn/ Natural Horn/ Chamber Music/ Interdisciplinary Performer/ Arranger

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  • Chanyapong Thongsawang, PhD

    Assistant Professor

    Committee, Master of Music Program

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  • Anothai Nitibhon, PhD

    Assistant Professor

    Committee, Master of Music Program (more…)

  • Jean-David Caillouët, PhD

    Chair, Master of Music Program (more…)

  • Princess Galyani Vadhana International Ensemble Competition 2016, Winner Announcement

    The result is in! Congratulations to all finalists. The honorary international jury panel was very impressed with all ensembles’ standard of playing. After carefully review each ensemble’s performances, the panel has come to the decision to announce the prize winners of the PGVIM International Ensemble

    Competition 2016 as follows:

    Category A: String Ensemble (10-15 members)

    First prize: The 90’s String Chamber (Thailand)
    Second prize: –
    Third prize: Ensemble V (Thailand)
    Salaya Chamber Orchestra (Thailand)
    Finalist: Lalunar’s Ensemble (Thailand)

    Category B: String Quartet

    First prize: Shounen Thai Quartet (Thailand)
    Second prize: Sul Tasto Quartet (Hong Kong)
    Third prize: Sunny String Quartet (Thailand)
    Finalist: Lotus Quartet (Thailand)
  • The Conference Of The Birds 6pm. 10.9.15

    This year’s symposium aims at exploring the complex perceptual and aesthetic boundaries between various modes of musical expression. The questions asked are:

    What is new ? What is authentic ? What is classic ?

    It is clear that there can be no absolute answers to any of those interrogations but that we can rather consider all forms of human expression as being inherently tied to the temporal and cultural contexts they evolve in. What was considered ‘popular’ yesterday is labelled ‘classical’ tomorrow and what is new in Singapore might already be out of fashion in St. Petersburg. One musician might try to achieve ‘authenticity’ within a musical context that belongs to a time and geographical location that is totally foreign to theirs while ignoring other musical styles that are rooted deeply within the soil of their native land.

    In the current globalised context, everyone of us can choose to explore our own local cultures as well as that of other parts of the world. We can decide to investigate the musical past as well as the music of today. We are all, indeed, migrating birds singing in the middle of a very large forest of possible futures.

    Combining acoustic and electronic music, visuals and rituals, notations and improvisations, this eclectic evening of sound making will feature contributions by Dieter Mack and the PGVIM students, Peter Edwards & Max Riefer as the duet Zero Crossing, Kim Gnoc Tran, Anant Narkkong, Damrih Banawitayakit, Supreeti Ansvananda, Saowakhon Muangkruan, Watchara Pluemyart. Watchara Pluemyart and jean- David Callout.